The Brilliant Green Complete Single Collection 7-8 Rar
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Jul 17, 2012 Like Yesterday (Single) Release date: February 24, 2010 Tracklist: 01. Like Yesterday 02. Spring Gate 03. At Light Speed ('Sono Speed de' English Ver.) ★(320K) ★PASSWORD:-Complete Singles Collection '97–'08 (Best Album) Release date: February 20, 2008 Tracklist: 01. Bye Bye Mr.Mug 02. Goodbye and good luck 03. Find album reviews, stream songs, credits and award information for Brilliant Green Complete Single Collection 1997-2008 - The Brilliant Green on AllMusic - 2008 - Bridging the gap between Japanese pop and Western&hellip. May 27, 2010 - Artist: the brilliant green; Album: the brilliant green complete single collection '97-'08; Released: 2008.02.20: 2009.09.02 (Blu-spec CD).
Tracklist
▼ CD 1 | |||
---|---|---|---|
# | Title | Rating | Length |
1 | Bye Bye Mr.Mug | 4:33 | |
2 | goodbye and good luck
| 4:33 | |
3 | There will be love there –愛のある場所–
| 4:01 | |
4 | 冷たい花
| 4:37 | |
5 | そのスピードで
| 5:11 | |
6 | 長いため息のように
| 5:42 | |
7 | 愛の♥愛の星
| 3:52 | |
8 | CALL MY NAME | 5:14 | |
9 | BYE! MY BOY!
| 3:25 | |
10 | Hello Another Way –それぞれの場所–
| 5:35 | |
11 | angel song –イヴの鐘–
| 4:24 | |
12 | Forever to me 〜終わりなき悲しみ〜
| 5:04 | |
13 | Rainy days never stays
| 3:55 | |
14 | I’M SO SORRY BABY
| 4:49 | |
15 | Stand by me
| 3:41 | |
16 | Enemy
| 4:58 | |
17 | Ash Like Snow
| 5 | 4:32 |
Credits
CD 1
arranger: | the brilliant green (tracks 3–7, 9, 11, 17) |
---|---|
composer: | |
lyricist: | 川瀬智子 (tracks 3–7, 9–14, 17) |
publisher: | エムシーキャビン音楽出版 (tracks 3, 5) フジパシフィック音楽出版 (– 2014-12-31) (track 5) |
karaoke versions: | Ash Like Snow (original instrumental) by the brilliant green (track 17) BYE! MY BOY! (backing track) by the brilliant green (track 9) Enemy (original instrumental) by the brilliant green (track 16) I’M SO SORRY BABY (backing track) by the brilliant green (track 14) Stand by me (original instrumental) by the brilliant green (track 15) angel song –イヴの鐘– (backing track) by the brilliant green (track 11) そのスピードで (backing track) by the brilliant green (track 5) 冷たい花 (backing track) by the brilliant green (track 4) 長いため息のように (backing track) by the brilliant green (track 6) |
later translated versions: | |
later versions: | goodbye and good luck (piano arrange version) (track 2) |
recording of: | Ash Like Snow(機動戦士ガンダム00) (track 17) Bye Bye Mr.Mug (track 1) Enemy (track 16) Hello Another Way –それぞれの場所– (track 10) Rainy days never stays (track 13) There will be love there –愛のある場所– (track 3) goodbye and good luck (track 2) 冷たい花 (track 4) 長いため息のように (track 6) |
Release
transliterated/translated track listings: | Complete Single Collection ’97–’08 |
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discography entry: | http://www.sonymusic.co.jp/artist/thebrilliantgreen/discography/DFCL-1441[info] |
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Release Group
other databases: | https://www.generasia.com/wiki/the_brilliant_green_Complete_Single_Collection_'97-'08[info] |
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Bridging the gap between Japanese pop and Western pop surprisingly capably, the Brilliant Green have stood at the crossroads of cultural idioms for years, progressively adding elements from the Beatles on top of the rising and falling J-pop structure. Though J-pop as a whole has incorporated elements of Western music and diverged somewhat from the days of sheer idol-singing, where the Brilliant Green broke away from the pack is in their stronger adherence to Western aesthetics and craft. The music here has a vastly more crafted feel to it, it's a thing of work and art rather than a piece of manufactured goods (though not all Japanese pop has a manufactured sheen to it, it is a stereotypical element). There are influences of Tom Petty here, of the Stones, Sheryl Crow, and the Nashville scene. The Brilliant Green may be the Japanese equivalent to a band like Pearl Jam, putting together wide influences of classic forms and bands into something still new. Moreover, they do so in a solid manner, with arrangements leaving no obvious gaps or joints, with instruments being played just as they should be to fit the song rather than to display their newest trick, with lead singer Tomoko Kawase using her voice to fit the song as well, never quite forcing herself to the front except as the melody demands, but never falling behind the instruments, either. The compositions are absolutely solid, and always interesting while keeping within understandable structures. The band isn't overly exploratory and doesn't give in to the urge toward novelty for its own sake, instead moving toward more traditional rock. Here, all of their recorded singles over the years show not only their progression as artists, but their unique format. Absolutely worth listening to, for fans of Japanese and American pop and rock alike.
Complete Single Collection
Title/Composer | Performer | Time |
---|---|---|
1 | 4:33 | |
2 | Tomoko Kawase / Shunsaku Okuda | 4:33 |
3 | 4:01 | |
4 | Tomoko Kawase / Shunsaku Okuda | 4:39 |
5 | 5:11 | |
6 | Tomoko Kawase / Shunsaku Okuda | 5:42 |
7 | 3:52 | |
8 | Tomoko Kawase / Shunsaku Okuda | 5:14 |
9 | 3:25 | |
10 | Tomoko Kawase / Shunsaku Okuda | 5:35 |
11 | 4:24 | |
12 | Tomoko Kawase / Shunsaku Okuda | 5:04 |
13 | 3:54 | |
14 | Tomoko Kawase / Shunsaku Okuda | 4:50 |
15 | 3:40 | |
16 | Tomoko Kawase / Shunsaku Okuda | 4:58 |
17 | 4:32 |