The Brilliant Green Complete Single Collection 7-8 Rar

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Jul 17, 2012  Like Yesterday (Single) Release date: February 24, 2010 Tracklist: 01. Like Yesterday 02. Spring Gate 03. At Light Speed ('Sono Speed de' English Ver.) ★(320K) ★PASSWORD:-Complete Singles Collection '97–'08 (Best Album) Release date: February 20, 2008 Tracklist: 01. Bye Bye Mr.Mug 02. Goodbye and good luck 03. Find album reviews, stream songs, credits and award information for Brilliant Green Complete Single Collection 1997-2008 - The Brilliant Green on AllMusic - 2008 - Bridging the gap between Japanese pop and Western&hellip. May 27, 2010 - Artist: the brilliant green; Album: the brilliant green complete single collection '97-'08; Released: 2008.02.20: 2009.09.02 (Blu-spec CD).

Tracklist

CD 1
#TitleRatingLength
1Bye Bye Mr.Mug
4:33
2goodbye and good luck
recording of:
goodbye and good luck
later versions:
goodbye and good luck (piano arrange version)
4:33
3There will be love there –愛のある場所–
arranger:
笹路正徳 and the brilliant green
recording of:
There will be love there –愛のある場所–
composer:
奥田俊作
lyricist:
川瀬智子
publisher:
エムシーキャビン音楽出版 and 日音
4:01
4冷たい花
arranger:
the brilliant green
karaoke versions:
冷たい花 (backing track) by the brilliant green
recording of:
冷たい花
composer:
奥田俊作
lyricist:
川瀬智子
4:37
5そのスピードで
arranger:
the brilliant green
karaoke versions:
そのスピードで (backing track) by the brilliant green
recording of:
そのスピードで
composer:
奥田俊作
lyricist:
川瀬智子
publisher:
エムシーキャビン音楽出版, フジパシフィック音楽出版 (– 2014-12-31) and フジパシフィックミュージック (2015-01-01 –)
5:11
6長いため息のように
arranger:
the brilliant green
karaoke versions:
長いため息のように (backing track) by the brilliant green
recording of:
長いため息のように
composer:
奥田俊作
lyricist:
川瀬智子
later versions:
長いため息のように (demo)
5:42
7愛の♥愛の星
arranger:
the brilliant green
recording of:
愛の♥愛の星
composer:
奥田俊作
lyricist:
川瀬智子
3:52
8CALL MY NAME
5:14
9BYE! MY BOY!
arranger:
the brilliant green
karaoke versions:
BYE! MY BOY! (backing track) by the brilliant green
recording of:
BYE! MY BOY!
composer:
奥田俊作
lyricist:
川瀬智子
3:25
10Hello Another Way –それぞれの場所–
recording of:
Hello Another Way –それぞれの場所–
composer:
奥田俊作
lyricist:
川瀬智子
5:35
11angel song –イヴの鐘–
arranger:
the brilliant green
karaoke versions:
angel song –イヴの鐘– (backing track) by the brilliant green
recording of:
angel song –イヴの鐘–
composer:
奥田俊作
lyricist:
川瀬智子
later translated versions:
Angel Song
4:24
12Forever to me 〜終わりなき悲しみ〜
recording of:
Forever to me 〜終わりなき悲しみ〜
composer:
奥田俊作
lyricist:
川瀬智子
5:04
13Rainy days never stays
recording of:
Rainy days never stays
composer:
奥田俊作
lyricist:
川瀬智子
3:55
14I’M SO SORRY BABY
karaoke versions:
I’M SO SORRY BABY (backing track) by the brilliant green
recording of:
I’M SO SORRY BABY
composer:
奥田俊作
lyricist:
川瀬智子
4:49
15Stand by me
karaoke versions:
Stand by me (original instrumental) by the brilliant green
recording of:
Stand by me
3:41
16Enemy
karaoke versions:
Enemy (original instrumental) by the brilliant green
recording of:
Enemy
4:58
17Ash Like Snow
arranger:
the brilliant green
karaoke versions:
Ash Like Snow (original instrumental) by the brilliant green
recording of:
Ash Like Snow(機動戦士ガンダム00)
composer:
奥田俊作
lyricist:
川瀬智子
publisher:
Sony Music Publishing (Japan) Inc.
54:32

Credits

CD 1

arranger:
the brilliant green (tracks 3–7, 9, 11, 17)
composer:
lyricist:
川瀬智子 (tracks 3–7, 9–14, 17)
publisher:
エムシーキャビン音楽出版 (tracks 3, 5)
フジパシフィック音楽出版 (– 2014-12-31) (track 5)
karaoke versions:
Ash Like Snow (original instrumental) by the brilliant green (track 17)
BYE! MY BOY! (backing track) by the brilliant green (track 9)
Enemy (original instrumental) by the brilliant green (track 16)
I’M SO SORRY BABY (backing track) by the brilliant green (track 14)
Stand by me (original instrumental) by the brilliant green (track 15)
angel song –イヴの鐘– (backing track) by the brilliant green (track 11)
そのスピードで (backing track) by the brilliant green (track 5)
冷たい花 (backing track) by the brilliant green (track 4)
長いため息のように (backing track) by the brilliant green (track 6)
later translated versions:
later versions:
goodbye and good luck (piano arrange version) (track 2)
recording of:
Ash Like Snow(機動戦士ガンダム00) (track 17)
Bye Bye Mr.Mug (track 1)
Enemy (track 16)
Hello Another Way –それぞれの場所– (track 10)
Rainy days never stays (track 13)
There will be love there –愛のある場所– (track 3)
goodbye and good luck (track 2)
冷たい花 (track 4)
長いため息のように (track 6)

Release

The Brilliant Green Complete Single Collection 7-8 RarCollection
transliterated/translated track listings:Complete Single Collection ’97–’08
discography entry:http://www.sonymusic.co.jp/artist/thebrilliantgreen/discography/DFCL-1441[info]

Release Group

other databases:https://www.generasia.com/wiki/the_brilliant_green_Complete_Single_Collection_'97-'08[info]
7-8

Bridging the gap between Japanese pop and Western pop surprisingly capably, the Brilliant Green have stood at the crossroads of cultural idioms for years, progressively adding elements from the Beatles on top of the rising and falling J-pop structure. Though J-pop as a whole has incorporated elements of Western music and diverged somewhat from the days of sheer idol-singing, where the Brilliant Green broke away from the pack is in their stronger adherence to Western aesthetics and craft. The music here has a vastly more crafted feel to it, it's a thing of work and art rather than a piece of manufactured goods (though not all Japanese pop has a manufactured sheen to it, it is a stereotypical element). There are influences of Tom Petty here, of the Stones, Sheryl Crow, and the Nashville scene. The Brilliant Green may be the Japanese equivalent to a band like Pearl Jam, putting together wide influences of classic forms and bands into something still new. Moreover, they do so in a solid manner, with arrangements leaving no obvious gaps or joints, with instruments being played just as they should be to fit the song rather than to display their newest trick, with lead singer Tomoko Kawase using her voice to fit the song as well, never quite forcing herself to the front except as the melody demands, but never falling behind the instruments, either. The compositions are absolutely solid, and always interesting while keeping within understandable structures. The band isn't overly exploratory and doesn't give in to the urge toward novelty for its own sake, instead moving toward more traditional rock. Here, all of their recorded singles over the years show not only their progression as artists, but their unique format. Absolutely worth listening to, for fans of Japanese and American pop and rock alike.

Complete Single Collection

Title/ComposerPerformerTime
1 4:33
2
Tomoko Kawase / Shunsaku Okuda
4:33
3 4:01
4
Tomoko Kawase / Shunsaku Okuda
4:39
5 5:11
6
Tomoko Kawase / Shunsaku Okuda
5:42
7 3:52
8
Tomoko Kawase / Shunsaku Okuda
5:14
9 3:25
10
Tomoko Kawase / Shunsaku Okuda
5:35
11 4:24
12
Tomoko Kawase / Shunsaku Okuda
5:04
13 3:54
14
Tomoko Kawase / Shunsaku Okuda
4:50
15 3:40
16
Tomoko Kawase / Shunsaku Okuda
4:58
17 4:32

Spitz Complete Single Collection

blue highlight denotes track pick
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